Devotion, A Story Of Love And Desire May 2026

Carlo (Michele Riondino), a successful but emotionally stunted yacht builder, is trapped in a sexless, transactional marriage with the elegant but icy Sofia. Enter Margherita (a compelling Aurora Giovinazzo), a young, free-spirited photographer who sees Carlo not as a wealthy patron, but as a broken man. What follows is a collision of worlds: obligation versus impulse, security versus chaos.

Devotion is not a bad show, but it is a frustrating one. It has all the ingredients for a smart, sensual drama about class, marriage, and self-discovery. Instead, it settles for being a glossy, slow-burn fantasy for anyone who believes the solution to a stale relationship is a younger, less complicated person. devotion, a story of love and desire

If you enjoy Italian scenery as a character and don’t mind minimal plot, you’ll find moments to savor. But if you’re looking for genuine insight into love or desire, this story remains curiously, fatally, distant. Devotion is not a bad show, but it is a frustrating one

The series is visually intoxicating. Every frame drips with Mediterranean heat—crisp linen, antique villas, the gleam of the sea at sunset. The chemistry between Riondino and Giovinazzo is palpable in stolen glances and trembling hands. When the show allows itself quiet moments (a shared cigarette on a terrace, a hesitant touch in a dark room), it genuinely captures the ache of midlife longing. If you enjoy Italian scenery as a character

The pacing is also glacial. Long, wordless shots of characters staring at the sea substitute for actual emotional development. By episode four, the repetitive cycle of “meet, argue, gaze longingly, almost kiss, pull away” becomes exhausting.