One of the biggest complaints about RGB is the software ecosystem surrounding it. Every manufacturer has their own app, their own brand, their own style. If you want to mix and match devices, you end up with a ton of conflicting, functionally identical apps competing for your background resources. On top of that, these apps are proprietary and Windows-only. Some even require online accounts. What if there was a way to control all of your RGB devices from a single app, on both Windows and Linux, without any nonsense? That is what OpenRGB sets out to achieve. One app to rule them all.
Version 1.0rc2, additional downloads and versions on Releases page
Control RGB without wasting system resources
OpenRGB keeps it simple with a lightweight user interface that doesn't waste background resources with excessive custom images and styles. It is light on both RAM and CPU usage, so your system can continue to shine without cutting into your gaming or productivity performance.
Control RGB from a single app
If you have RGB devices from many different manufacturers, you will likely have many different programs installed to control all of your devices. These programs do not sync with each other, and they all compete for your system resources. OpenRGB aims to replace every single piece of proprietary RGB software with one lightweight app.
Contribute your RGB devices
OpenRGB is free and open source software under the GNU General Public License version 2. This means anyone is free to view and modify the code. If you know C++, you can add your own device with our flexible RGB hardware abstraction layer. Being open source means more devices are constantly being added!
Control RGB on Windows, Linux, and MacOS
OpenRGB runs on Windows, Linux and MacOS. No longer is RGB control a Windows-exclusive feature! OpenRGB has been tested on X86, X86_64, ARM32, and ARM64 processors including ARM mini-PCs such as the Raspberry Pi.
In the sprawling pantheon of narco-fiction, two titans cast long shadows over the modern television landscape: Narcos (Netflix) and Pablo Escobar, El Patrón del Mal (Caracol TV). While the Hollywood gloss of Narcos introduced the world to Wagner Moura’s brooding, accented Pablo, it is the gritty, raw, and exhaustive 74-episode Colombian production that remains the canonical text for those who lived through the nightmare.
And that is precisely the point. In Colombia, El Patrón del Mal is not a "crime drama." It is a history lesson. For the rest of the world, it is the definitive reminder that there is nothing cool about a kingpin. pablo escobar, el patron del mal cam
The show does not ask, "Was Pablo Escobar a hero?" It asks, "How did a society allow this to happen?" With the resurgence of Griselda and the endless fetishization of narcos in pop music, El Patrón del Mal serves as a necessary antidote. It is the un-glamorous truth. It is long—74 episodes is a commitment—but that length is required to show the fatigue of terrorism. You will finish the series exhausted, angry, and depressed. In the sprawling pantheon of narco-fiction, two titans
Essential viewing. Leave the rose-colored sunglasses at the door. In Colombia, El Patrón del Mal is not a "crime drama
The series dedicates entire arcs to the political nuances that Narcos glossed over: The rise of the Luis Carlos Galán assassination, the betrayal of the M-19 guerrillas, the terrifying emergence of Los Pepes (People Persecuted by Pablo Escobar), and the silent complicity of the elite. It illustrates not just Escobar’s war with the state, but the state’s corruption—the politicians on his payroll, the police who became his personal army.
The series makes a crucial, controversial decision early on: it breaks the fourth wall. Characters frequently turn to the camera, speaking directly to the audience. This isn't a gimmick; it is a testimonial. The actors portraying victims, politicians, and hitmen look into the lens and state their real names, their real fates. "My name is Diana Turbay," a hostage says. "I was killed on January 25, 1991." This Brechtian device shatters any romantic illusion. You are not here to root for the anti-hero. You are here to witness the ledger of blood. The soul of the series rests on the shoulders of Andrés Parra. Where other actors play Escobar as a demon or a folk hero, Parra plays him as a man—petty, vain, paranoid, and chillingly mundane.