Zohan | The Great

It is not a great film in the traditional sense. It is too long. Some jokes have aged poorly (the electroshock therapy "gag" is a tough watch). But as a text, it is fascinating. It suggests that Adam Sandler, hidden behind a tan and a terrible perm, might have made the most radical anti-war statement of the 21st century.

4 out of 5 stars. Not for the easily offended, the humorless, or those who think hummus is just a dip. For everyone else? Let’s go make some silky smooth.

They both love disco. They both love hummus. And, most importantly, they both hate the guy who buys the last pack of "Fizzy Bubblech" soda. the great zohan

By Alex Ripley

In 2008, the world was a very different place. Gas prices were spiking, the War on Terror was in its seventh year, and Adam Sandler was the undisputed king of a very specific brand of lucrative, low-brow comedy. When the trailer dropped for You Don’t Mess with the Zohan , audiences saw the same formula they expected: Sandler with a funny accent, slapstick violence, and a scene involving a fish (or in this case, a bottle of Sprite) used in an inappropriate manner. It is not a great film in the traditional sense

We don't need generals. We don't need politicians. We need a guy who can roundhouse kick a terrorist, then stop to tell him his split ends are looking tragic.

Critics panned it. Roger Ebert gave it one star. Audiences were confused. It was too weird to be a standard action spoof and too juvenile to be a political commentary. Yet, nearly two decades later, The Zohan stands as one of the most audacious, misunderstood, and genuinely prescient satires ever to come out of the Hollywood studio system. For the uninitiated, the film follows Zohan Dvir (Sandler), an elite Israeli counter-terrorist commando who fakes his own death so he can abandon the "start-up nation" for his true dream: becoming a hair stylist in New York City. He ends up in a predominantly Palestinian neighborhood in Queens, working for a salon owned by a beautiful Palestinian woman, Dalia (Emmanuelle Chriqui). But as a text, it is fascinating

Think about the core conflict. The film posits that the Israeli-Palestinian conflict, one of the most intractable geopolitical quagmires of the modern era, is actually a macho misunderstanding fueled by outdated pride. Zohan and his nemesis, "The Phantom" (John Turturro, giving one of the most unhinged and brilliant performances of his career), are mortal enemies in the Middle East. But when they move to New York and are forced to live next to each other, they realize they have more in common than they thought.